Source: http://www.myweddingflowerideas.co.uk/wedding-bouquet/red-gerbera-bouquet-rge.jpg

Cube.

Well, the cube is red, a size of a side table, located in the center of the room and on the floor.  Interpretation: I am humble, grounded and the red colour of the cube might represent that my center is in my heart, small, but all-important.  Maybe because red is the colour of passion and I am a very passionate person.  Or maybe because in Russian “red” is synonymous with “beautiful”.  I do hide who I am from others, but only to a point.  I do consider myself to be fairly open.  The fact that my red cube is in the center of the room means that I (my ego, my heart, my brain, my mind) is the center of my universe.  Where else should it be?  I am still perplexed why I have picked the red colour, for it is not my favourite.  Maybe because walls are so white is this white room? LOL.

Flowers.

They are located on the perimeter, so there are a lot of them, all red Gerbera, natural Gerbera size.  Again, colour red.  I don’t have an explanation for the red colour in this case.  Love, passion, design?  I agree that I need family and a lot of friends, but at the moment they are not so close to me.  I wish they were, or at least I think I wish they were and I am trying to close the gap.

Ladder.

Ladder is white, from floor to ceiling and for that matter a fairly steep one (like in a submarine, or maybe not, I have never been on a submarine!), but it is located in a Northeast corner of the room.  I am not currently working on my goals.  But I am all in the preparation mode.  Last time I did the cube analysis, the ladder was just lying on the floor flat.  So, some improvement.

Horse.

One thing is clear, the horse is near me.  I could not decide what colour to pick (black or white), still indecisive.  Characteristics of a horse?  Mamma mia!  Intelligent, witty, philosophical, trustworthy, true friend.  No interpretation necessary.  Only a comment – there is no horse near me.  I am not in a relationship.

Rainstorm.

Rainstorm is all over the room.  Meaning…  I have way to many problems.  Or opportunities (never forget the Art of Reframing!)

The only reason I have copied this test is that I want to keep this information.  Web-sites change, appear and disappear.  I did not create this test, so I give you the source of information and I hope you enjoy that web-site.

Source: http://www.personality-and-aptitude-career-tests.com/cube-personality-test.html

11 Questions to Discover Your Hidden Personality Areas Within 90 Seconds!

The Cube personality test is a quick mental exercise that lasts approximately 90 seconds, and can be used to tell a great deal about a person, by asking them to imagine a situation. The Cube personality test requires a working imagination, but most people can successfully complete the test. When the test is given, the person taking the test must respond to each question as quickly as possible, saying the first things that they think of. You can easily use the Cube personality test as a party trick, or to get to know your friends or spouse easier. This article contains the Cube personality test, as well as what the responses to the questions on the test means.

The Test

Picture an enormous white room. In this room, there is a cube.

1.) What color is the cube?

2.) What size is the cube?

3.) Where is it located in the room? Is it floating, or on the ground?

Next, imagine flowers inside of this room.

4.) Where are the flowers located?

5.) How large are the flowers?

Next, imagine a ladder inside of the white room.

6.) Where is the ladder?

7.) What size is the ladder?

Next, imagine a horse in the white room.

8.) Where is the horse?

9.) Name three personality characteristics of the horse (mean, funny, sad, happy, etc).

Lastly, imagine a rainstorm inside the white room.

10.) Where is the rainstorm located?

11.) How large is the rainstorm?

Interpretation of the Answers

Once you have asked someone these questions, be sure to make a mental note of their answers. You can now easily use the answers that they gave, to reveal a great amount about their personality. The white room represents our lives. Inside of this white room, there is a cube. This cube is a representation of our ego, or how we see ourselves. If your cube is small, it means that you have a small ego, you are humble. If your ego is large, it means that you might be “full of yourself”. A colored ego means that you hide who you really are from people. A white or clear cube means that you do not put a show on for others. If the cube is on the ground, it means that you are well grounded in your views, and “down to earth”. If the cube is floating, it means that your life is unstable and unpredictable.

The flowers in the room represent your family and friends. If there are a lot of flowers in the room, it means that you prefer to be surrounded by friends and family. If the flowers are only a few, it means that you prefer only a few close friends. If your flowers are near the cube, it means that you are close to your friends. If your flowers are further away, you prefer to keep a distance between your friends.

The ladder inside the room represents your life’s goals and ambition. A small ladder means that you do not have any goals, or that your goals in life are small. If your ladder is large, it means that your goals and expectations for yourself are set higher than average. If your ladder is far away from your cube, it means that right now you are not working on your goals. If your ladder is on top of your cube, it means that your goals and ambitions are controlling you.

The horse inside of the room is your spouse. The three characteristics of the horse apply to your spouse, or what you like to see in your spouse. If your horse is close to the cube, it means that you are close to your spouse. When you see a beautiful horse it shows your beautiful experience with your spouse.

The rainstorm inside of the room is life’s problems. If your thunderstorm is large, it means that your life is hectic. If the thunderstorm is near another object (for instance, the horse), it means that that object is causing problems in your life. If you see small thunderstorm that means you are currently not facing too many difficulties or at least ignoring them.

While fun, the Cube personality test tells us a lot about each other, and helps us to understand each other. Although perhaps not the most accurate personality test (you will likely read objections from critics as to the accuracy of it), it still gives you a funny way to measure personality of another person. The Cube personality test has no known scientific origins, and has not been independently validated. Regardless, it is still a fun way to spend a few minutes with your friends, studying their responses.

Source: http://www.livbit.com/article/wp-content/uploads/2008/12/rubikscube_lamp2.jpg

If you are curious, you can read a couple of posts that will follow – I have done this Cube Personality Test twice.  Strangely enough, both times it was fairly accurate.

From Robert Greene “The 48 Laws of Power”.

Law 48 – Assume Formlessness

Page 419

Judgment

By taking a shape, by having a visible plan, you open yourself to attack.  Instead of taking a form for your enemy to grasp, keep yourself adaptable and on the move.  Accept the fact that nothing is certain and no law is fixed.  The best way to protect yourself is to be as fluid and formless as water; never bet on stability or lasting order.  Everything changes.

Source: http://www.eso.org/public/outreach/eduoff/vt-2004//mt-2003/mt-mercury-map6-normal.jpg

In martial arts, it is important that strategy be unfathomable, that form be concealed, and that movements be unexpected, so that preparedness against them be impossible.  What enables a good general to win without fail is always having unfathomable wisdom and a modus operandi that leaves no tracks.  Only the formless cannot be affected.  Sages hide in unfathomability, so their feelings cannot be observed; they operate in formlessness, so their lines cannot be crossed.

The Book of the Huainan Masters, China, Second Century B.C.

Character Armor

To carry out the instinctual inhibition demanded by the modern world and to be able to cope with the energy stasis which results from this inhibition, the ego has to undergo a change.  The ego, i.e., that part of the person that is exposed to danger, becomes rigid, as we say, when it is continually subjected to the same or similar conflicts between need and a fear-inducing outer world.  It acquires in this process a chronic, automatically functioning mode of reaction, i.e., its “character”.  It is as if the affective personality armored itself, as the hard shell it develops were intended to deflect and weaken the blows of the outer world as well as the clamoring of the inner needs.  This armoring makes the person less sensitive to unpleasure, but also restricts his libidinal and aggressive motility and thus reduces his capacity for achievement and pleasure.  We say the ego has become less flexible and more rigid, and that the ability to regulate the energy economy depends on the extent of the armoring.

Wilhelm Reich, 1897 – 1957

Observance of the law

When you want to fight us, we don’t let you and you can’t find us.  But when we want t fight you, we make sure that you can’t get away and we hit you squarely…and wipe you out… The enemy advances, we retreat; the enemy camps, we harass; the enemy tires, we attack; the enemy retreats, we pursue.

Mao Tse-Tung, 1893 – 1976

Keys to Power

The human animal is distinguished by its constant creation of forms.  Rarely expressing its emotions directly, it gives them form through language, or through socially acceptable rituals.  We cannot communicate our emotions without a form.

The forms that we create, however, change constantly – in fashion, in style, in all those human phenomena representing the mood of the moment.  We are constantly altering the forms we have inherited from previous generations, and these changes are signs of life and vitality.  Indeed, the things that don’t change, the forms that rigidify, come to look to us like death, and we destroy them.  The young show this most clearly: Uncomfortable with the forms that society imposes upon them, having no set identity, they play with their own characters, trying on a variety of masks and poses to express themselves.  This is the vitality that drives the motor of form, creating constant changes in style.

The powerful are often people who in their youth have shown immense creativity in expressing something new through a new form.  Society grants them power because it hungers for and rewards this sort of newness.  The problem comes later, when they often grow conservative and possessive.  They no longer dream of creating new forms; their habits congeal, and their rigidity makes them easy targets.  Everyone knows their next move.  Instead of demanding respect they elicit boredom: Get off the stage! We say, let someone else, someone younger, entertain us.  When locked in the past, the powerful look comical – they are overripe fruit, waiting to fall from the tree.

Power can only thrive if it is flexible in its forms.  To be formless is not to be amorphous; everything has a form – it is impossible to avoid.  The formlessness of power is more like that of water, or mercury, taking the form of whatever is around it.  Changing constantly, it is never predictable.  The powerful are constantly creating form, and their power comes from the rapidity with which they can change.  Their formlessness is in the eye of the enemy who cannot see what they are up to and so has nothing solid to attack.  This is the premier pose of power: ungraspable, as elusive and swift as the god Mercury, who could take any form he pleased and this ability to wreak havoc on Mount Olympus.

Human creations evolve toward abstraction, toward being more mental and less material.  This evolution is clear in art, which, in this century, made the great discovery of abstraction and conceptualism; it can also be seen in politics, which over time have become less overtly violent, more complicated, indirect and cerebral.  Warfare and strategy too have followed this pattern.  Strategy began in the manipulation of armies on land, positioning them in ordered formations; on land, strategy is relatively two dimensional, and controlled by topography.  But all the great powers have eventually taken to sea, for commerce and colonization.  And to protect their trading lanes they have had to learn how to fight at sea.  Maritime warfare requires tremendous creativity and abstract thinking, since the lines are constantly shifting.  Naval captains distinguish themselves by their ability to adapt to the literal fluidity of the terrain and to confuse the enemy with an abstract, hard-to-anticipate form.  They are operating in a third dimension: the mind.

Image:

Mercury.  The winged messenger, god of commerce, patron saint of thieves, gamblers, and all those who deceive through swiftness.  The day Mercury was born he invented the lyre; by that evening he had stolen the cattle of Apollo.  He would scour the world, assuming whatever form he desired.  Like the liquid metal named after him, he embodies the elusive, the ungraspable – the power of formlessness.

Authority:

Therefore the consummation of forming an army is to arrive at formlessness. Vitory in war is not repetitious, but adapts its form endlessly… A military force has no constant formation, water has no constant shape: The ability to gain victory by changing and adapting according to the opponent is called genius.

(Sun-tzu, fourth century B.C.)

Современный художник

Современный художник – это анальная проститутка с нарисованной жопой и зашитым ртом.  А галерист – это человек, который ухитряется состоять при ней сутенёром духа несмотря на абсолютную бездуховность происходящего.

Писатель

Что самое важное для писателя? Это иметь злобное, омрачённое, ревнивое и завистливое эго.  Если оно есть, то всё остальное приложится.

My own translation

Modern Artist

A modern artist is an anal prostitute with a painted ass and sewn mouth.  And a gallerist is a person who manages to be a spiritual souteneur (pimp) for that artist despite the absolute non-existence of any spirituality of the reality.

Modern Writer

What is the most important thing for a writer?  To have a spiteful, malicious, darkened, jealous and envious ego.  If he has that, the rest will come.

Catchword: gallerist

Filed under: Language, English, Subject, Arts & Literature

Part of speech: n.

Quotation: A fashionable new word is bubbling up in the New York art scene: gallerist, as a substitute for art dealer. Not, of course, just any art dealer. A gallerist is directly involved with the care and feeding of artists, rather than with the quick turnover of art objects.…Some suggest it derives from the French galeriste, long used by top gallery personages in France to distinguish themselves from the mere marchand de tableaux, or picture merchant. Others say it came from Germany, where galerist or galeristin denotes, respectively, a male or female gallery owner.

Source: http://www.doubletongued.org/index.php/citations/gallerist_1/

 

souteneur 

“man who lives on the earnings of or or more prostitutes under his protection,” 1906, from Fr., lit. “protector,” from soutenir “to sustain” (see sustain).

 

Source: http://dictionary.reference.com/browse/souteneur