Пелевин, «Generation П», стр. 216

«Че Гевара о русской идее…»

Че Гевара, правда, отозвался, но в ответ на вопрос о русской идее выдал какой-то странный кусок:

Россияне!

Правильнее было бы говорить об орально-анальном вау-воздействии, так как эти влияния сливаются в один импульс, и именно этот комплекс эмоций, этот их конгломерат и считается социально ценной проекцией человека.  Отметим, что реклама изредка предпочитает квазиюнгианский подход квазифрейдисткому: бывает, что за приобретением материального объекта стоит не голый акт монетаристического совокупления, а поиск магического свойства, способного убрать орально-анальную стимуляцию на второй план.  Например, сине-зелёная зубная щётка гарантирует каким-то образом возможность безопасно перелезать с верхнего балкона на нижний, холодильник защищает от гибели под обломками сорвавшегося с крыши рояля, а банка маринованных киви спасает от авиакатастрофы, – но это подход, который большинство профессионалов считает устаревшим.  Аминь.

О русской идее здесь напоминало только блатное обращеньице «россияне», всегда казавшееся Татарскому чем-то вроде термина «арестанты», которым воры в законе открывают свои письменные послания на зону, так называемые «малявы».

Victor Pelevin “The Sacred Book of Werewolf”

‘But it’s my mind, isn’t it? Then what’s the problem?’

‘The problem is that your mind isn’t actually yours.’

‘Then whose is it?’

‘It’s not possible to say that it is anybody’s at all.  Or what it’s like and where it is.  All these concepts arise within it, that is, it precedes everything else without exception.  Do you understand?  Whatever you imagine, consider, believe or know for sure, the mind’s what will do it.’

‘Are you talking about the brain?’

‘No. The brain is one of concepts that exist in the mind.’

‘But the mind arises because there is a brain,’ he said uncertainly.

‘Those villains have really brainwashed you out of your wits,’ I sighed.  ‘People have no idea what mind is.  Instead they study the brain, or the psyche, or Freud’s love letters to Einstein.  And scientists seriously believe that mind is the product of certain chemical and electrical processes in the brain.  That’s the same as thinking that a TV set is the cause of the film showing on it.  Or that a salary is the cause of human existence.’

‘That’s what economists do think.’

‘Right.  Well, let them think it.  Let them generate their electrical impulses, steal tranches of credit, make official protests, measure the amplitude and the velocity, give the blowjob and take the derivative coefficient, and then determine their rating.  Fortunately for this world, we foxes are here in it, as well as all those clowns.  We know the secret….’

Victor Pelevin “The Sacred Book of Werewolf”

‘… Did Mikhalich give you the flower?’

‘Yes,’ I answered.  ‘And he told me I should think about the meaning of the message.  But I haven’t come up with anything.  Maybe you can tell me yourself?’

He scratched his head.  He seemed disconcerted by my question.

‘Do you know the folktale about the little scarlet flower?’

‘Which one exactly?’ I asked.

‘I think there is only one.’

He nodded towards a desk with a computer and a silver figurine standing on it.  There was a book lying beside the figurine, with bookmarks in several pages.  The half-effaced red letters of the title on its cover read: Russian Fairy Tales.

‘The story was written down by Sergei Aksakov,’ he said.  ‘His housekeeper Pelagia told him it.’

‘And what about it?’

‘About a beautiful girl and a beast.’

‘And what’s the little flower got to do with it?’

‘It was the reason everything began.  Do you really not know this fairy tale?’

‘No.’

‘It’s long, but the gist is this: a beautiful girl asked her father to bring her a scarlet flower.  The father found one in a magical garden a long way away and picked it.  But the garden was guarded by a terrible monster.  He caught the beautiful girl’s father, and she had to become the monster’s prisoner so that he would release her father.  The monster was ugly, but kind.  She fell in love with him, first for his kindness, and then simply in love.  And when they kissed, the spell was broken and the monster turned into a prince.’

‘Aha,’ I said.  ‘Do you have any idea what it’s about?’

‘Of course.’

‘Yes? What is it about?’

‘About love conquering all.’

I laughed.  He really was quite amusing.  He’d probably bumped off a few heavy hoods and ordered a hit on some banker, so now, with typical human presumption, he thought he was a monster.  And he also thought that love would save him.

He took me by the arm and led me across to a futuristic divan standing between two groves of dwarf bonsais with miniature arbours, bridges and even waterfalls.

‘Why are you laughing?’

‘I can explain,’ I said, sitting down on the divan and pulling my legs up under me.

‘Okay, explain.’

He sat at the other end of the divan and crossed his legs.  I noticed the edge of a holster peeping out from under his uniform jacket.

‘It’s one of those folktales that express the horror and pain of a woman’s first sexual experience,’ I said.  ‘There are lots of stories like that, and the one you just told me is a classic example.  It’s a metaphor of how a woman discovers the essentially bestial nature of man and becomes aware of her own power over that beast.  And the little scarlet flower that her father picks is such a literal symbol of defloration, amplified by the theme of incest, that I find it hard to believe the story was told by a housekeeper.  It was probably composed by some twentieth-century Viennese postgraduate to illustrate his thesis.  He invented the story, and the housekeeper Pelagia, and the writer Aksakov.’

While I was talking, his expression turned noticeably gloomier.

‘Where did you pick this stuff?’

‘It’s all truisms.  Everybody knows it.’

‘And you believe it?’

‘What?’

‘That this fairy tale is not about how love conquers everything on earth, but how defecation realizes its power over incest?’

‘Defloration,’ I corrected him.

‘It does not matter.  Is that what you really think?’

I thought about it.

‘I…. I don’t think anything.  That’s simply the contemporary discourse of folktales.’

‘So you’re saying that because of this discourse, when someone gives you a scarlet flower you think it’s a symbol of defecation and incest?’

‘No, don’t be like that,’ I replied, a little embarrassed.  ‘When someone gives me a scarlet flower I….I’m simply pleased.’

‘Thank God,’ he said.  ‘And as for contemporary discourse, it’s high time to take an aspen stake and stuff it back up the cocaine-and-amphetamine polluted backside that produced it.’

I hadn’t expected such a sweeping generalization.

‘Why?’

‘So it won’t defile out little scarlet flower.’

‘All right,’ I said, ‘I understand about the cocaine.  You mean Dr Freud.  He did have that little peccadillo.  But what have amphetamines got to do with it?’

‘I can explain,’ he said.  And tucked his legs up underneath himself in a parody of my pose.

‘Okay, explain.’

‘All those French parrots who invented discourse were high on amphetamines all the time.  In the evening they take barbiturates to get to sleep, and they start off the morning with amphetamines so they can generate as much discourse as possible before they start taking barbiturates to get back to sleep again.  That’s all there is to discourse.  Didn’t you know that?’

‘Where did you get information like that?’

‘There was a course at the FSB Academy about modern psychedelic culture.  Counter-brainwashing.  Oh yes, I forgot to say – they’re all queers too.  In case you were going to ask what the backside had to do with anything.’